Every LACHESIS PUBLISHING Ebook is on sale until Nov. 30th for .99 cents. If you buy TWO Ebooks we’ll send you a THIRD Ebook for free. All you have to do is drop us a line at firstname.lastname@example.org after you purchase your Ebooks and tell us which Ebook you’d like for free and we’ll send it to you.
EM: Thank you for your kind words. Years ago I decided to specialize in fiction because I knew that’s what I do best with. I also work hard to help my authors strategize to reach their goals. Part of this strategizing includes giving them book ideas and editorial feedback, based on my years as a book editor before I became an agent.
LP: What do you think about the popularity of indie publishing? What are some of the positive and negative aspects that you’ve seen over the past couple of years?
EM: Indie publishing is an amazing and wonderful development, the answer for many authors who for whatever reason aren’t right for the traditional publishers. Positive aspects are that a book can be published in a matter of days, and also that authors can reach niche/“micro-genre” readers—the long tail—in a way that many of the traditional publishers can’t. A negative aspect is that much of the material is not well edited or edited at all.
LP: How has the role of the agent changed with respect to indie authors? If you represent an author who decides to go indie –do you continue to work with him/her – what can you do for them?
EM: A number of my authors are “hybrid.” I work with them to make sure their indie books don’t compete with their “traditional” books in terms of publication months. I also handle subsidiary rights for their indie books—translation, audio, large print, film/TV.
LP: You are the author of the hugely successful THE MARSHALL PLAN FOR NOVEL WRITING. First published in 1998. For writers who have not yet read it – how can the Marshall Plan help them in their writing?
EM: The Marshall Plan® is a structured approach to writing fiction that takes away a lot of the guesswork. It helps writers produce quality, salable fiction faster. We now offer bestselling software, based on the book, that automates the process.
LP: What do you think separates the successful selling authors from authors who sell only a handful of books a year?
EP: The most successful authors write directly to the market. They study what’s hot and write it with a fresh twist. They know when it’s time to shift genres. They are also extremely savvy at self-promotion and don’t shy away from learning new things.
LP: Do you still take on new clients and if so – what are you looking for?
EM: Yes, I am always taking on new clients, selectively. Genres I’m looking for include domestic suspense/thrillers, Amish romance, extremely explicit romance, cozy mysteries, historical mysteries, and women’s fiction. Also, I often have book ideas that need authors—usually in cozy and historical mystery. Authors interest in being considered for this should have at least a few mystery or mystery-related books under their belt (indie is fine), be willing to take direction, and be unagented, of course. They should email me at email@example.com with their background and a work sample.
LP: What makes a good “in person” pitch?
EM: A good in-person pitch is a to-the-point conversation, not a memorized monologue, including a book’s genre, word length, similar-author readership, and a brief description of the plot and hook. Talk a little about any previous publishing credits and/or organization memberships. Don’t push written material on the person you’re pitching to unless it’s requested. Be ready to answer questions about your project. Don’t let the meeting drag on longer than necessary. When all has been said, simply ask, “May I email you my manuscript?”
LP: Where are the best places/conferences for a newbie to pitch?
EM: Some that come to mind are the Writer’s Digest conference, ThrillerFest, Sleuthfest, the Romance Writers of America convention, Bouchercon, Malice Domestic.
LP: What makes a good “email query” pitch?
EM: If someone has referred you, such as an editor or another author, say this right up front. Then describe your project—genre, title, similar-author readership—and give a brief description of your story and its hook. Along with this I like to see a synopsis of the entire story and the first three chapters. Details at http://www.evanmarshallagency.com/submissions/.
LP: Bonus: What is your way to de-stress after a busy day wheeling and dealing?
Morgan Hart is home. The thirty-six-year-old former Detroit detective has just moved back to Bijoux, Michigan, the lakeside town where she grew up. Returning to take up the reins as the new police captain since her father, Able, retired, Morgan hopes for a fresh start and a welcome change from the gritty police work she did in the Big D. Morgan also hopes she’ll be able to get her life back on track since her husband Ian Daniels, also a detective, was murdered on a case five years ago. Still unsolved, her husband’s death haunts her even as she settles into her new role.
Morgan has mixed feelings about being back home in Bijoux. Her relationship with her dad is complicated, and the townspeople have no qualms about telling her how she should do her job. Her childhood nemesis, Connie Graham, a reporter for the local TV news station, always seems to show up at the worst possible time, and the owner of the local bookstore, Caleb Joseph, is far too attractive and far too nosy. At least she and her deputy, JJ Jones, get along and bond over their mutual love of cupcakes.
The quaint, old town has gone through quite a transformation since Morgan was there last. Quirky new shops are opening up to attract summer tourists. And many of the old stores along Main Street are getting a facelift. Even the historic Firefly Bed and Breakfast, is changing. It’s hosting a romance writer’s conference with some of the biggest names in the biz. But someone else is determined to make a few more changes. Deadly changes that will leave the town reeling and will have Morgan investigating the first murder in Bijoux in 100 years.
Duncan Kord has travelled the world for many lifetimes. The thousand-year old Viking warrior was given immortality by an advanced race of beings who literally snatched him from the brink of death on a battlefield in Norway centuries ago. Not only did they save him, they infused his body and mind with the essence of a powerful dragon. Despite his powers, Kord has lived the life of a recluse, keeping mostly to himself, wandering the world, guarding his secrets. Kord’s life changes when he discovers the invader responsible for killing his wife and family and destroying his village all those years ago, is alive and well, and living in New York. Kord is determined to confront Sagahr and after so many lost centuries, he now has one purpose: revenge.
He’s an evil corporate mogul
William Jefferson Sagahr has amassed a fortune over many lifetimes. Now living in Manhattan, the powerful magnate is head of a multi-national oil company. The thousand-year-old mercenary warrior was also given immortality and special powers by the same beings who gifted Kord. But Sagahr is nothing like Kord. In fact, he was the one responsible for destroying Kord’s life all those centuries ago. When Sagahr finds out that Kord is alive and well and wreaking havoc on Sagahr’s oil refineries in Alaska, his fury knows no bounds and a twisted hunger begins to grow inside him. He unleashes an evil in the city of New York, the likes of which no one has ever seen. After so many lost centuries, he knows there is only one man who can stop him. One man he must avoid at all cost: Duncan Kord.
To read some of Greg’s musings visit his writing page on facebook, for several short stories and pithy takes on yard work and homelife.