Archive for January 2017 | Monthly archive page
55 Beautiful Designs for your coloring pleasure!
Delve into your creative spirit and enjoy the unique and engaging designs created by artist Jeanne Paglio that will take you on a relaxing and uplifting journey.
Having been a decorative painter and illustrator for many years, Jeanne Paglio ventured into the realm of Zentangle® art where she applied her knowledge of decorative painting to this art form. After becoming certified in tangling, and the theory behind it, Jeanne’s appreciation grew into a line of Zentangle workbooks geared to all artist levels and for people of all ages. As with all forms of art, this one has many health benefits, both mental and physical, one of which is stress relief. With several tangling books published, Jeanne continues to teach Zentangle and decorative painting. Jeanne resides in rural Rhode Island.
Connect with Jeanne Paglio on facebook.
WHAT IT’S ABOUT:
Prudence Hartley has the usual single mom problems: getting her kids to school on time; juggling a gazillion errands while trying to get a full day’s work done; oh, and don’t forget about dinner.
But Pru’s problems become a tad more complicated and a lot more dangerous when she finds a dead man in her house. Or a dead spy to be exact. Suddenly, a federal agent named David Merrick shows up and whisks her and her kids into protective custody. Pru has so many questions spinning through her brain she doesn’t know where to begin. How is she going to keep her kids safe? What was the dead spy looking for in her house? Why are the spies after her? Oh, and there’s one more question . . . just a pesky, minor thing. Why does Merrick have to be so damn sexy and protective?
Maybe he was just doing his job, but Sergeant Merrick was my hero. He coordinated the paramedics, police, ambulance attendants, and an intrepid reporter who came running when three ambulances, an EMT truck from the fire department and half a dozen police cruisers congregated at the hotel. More importantly, at least to me, he calmed Hope and Boone, assuring them that their mother was fine, even if she was sitting with her head between her knees, holding a bloody towel. He got them clear of the chaos and made sure they got safely to their father’s with a police escort.
“I’ll have a uniformed officer stay with them overnight.” he assured.
Once they were away, Merrick signalled the next set of ambulance attendants to help me onto a stretcher.
“We meet again.”
I focussed on the speaker. It took me a moment, but I connected the dots. He checked on us the night before.
“Bob,” he said, in case I forgot.
I nodded. “I remember.”
“It looks like you were wrong,” he said as he helped me onto the stretcher. “Bullet wounds are catching.”
Flashing his badge, Merrick managed to get to us shortly after we arrived at the hospital. He made sure Zeke and I were kept together and stayed with us, even after repeatedly being told by the attending nurses to leave. Then, when we were alone, Merrick asked the big question. “What happened?”
I knew what he was really asking.
“Why didn’t I hide in the bathroom with Hope and Boone? You think I didn’t lock the door properly, but I put the security bar on and everything. I called you as soon as I could. What took you so long?”
I took a dive off the edge of rationality into the deep end of guilt and second-guessing. I burst into tears. I hate it when that happens.
“Give her a break, Sarge,” said Zeke, raising himself up on his good elbow. “She saved my life.”
Merrick, who had taken my outburst calmly, raised an eyebrow.
“Well,” Zeke temporised, “she intended to save my life. She couldn’t know that I had moved out of the line of fire.” He tried to sit up. “I know, I never should have been in his line of fire in the first place . . . probably should stick to the backroom stuff . . .”
In the midst of my sobbing and Zeke’s self-flagellation, Merrick told us to calm down.
Big mistake. That might have worked on Zeke. Don’t know. Wasn’t paying attention. For me, it was like waving a red cape in front of a bull. All my fear and guilt transformed into anger directed at him. I grabbed him by the shirt-front and pulled myself up with the strength that comes with hysteria.
“I’m not a cop. I’m a mother,” I shouted, hopping bare footed onto the cold floor. “I didn’t hide with my children because I figured that whoever it was, they were looking for me. If they found me, they wouldn’t go looking for my kids too. I didn’t know if you’d get there in time to stop Hope and Boone from becoming hostages and I wasn’t going to risk it. I wasn’t going to risk Zeke dying either and I would have done the same for you.”
I spoke in a rush, losing volume and air as I went, losing momentum as I realized the attention I was drawing. Not one of my shining moments.
I started to collapse. I tried to steady myself using my handhold on Merrick’s shirt. He grabbed my shoulders to brace me. He didn’t lose his cool for an instant.
“Call a nurse,” he told Zeke. “She’s bleeding.”
I gave a choke of laughter. There were at least two nurses, an orderly, and three men in uniform ranged behind Merrick.
My vision got blurry. I blinked to clear it, refocused, and noticed that Merrick was wearing red and green plaid pyjamas. I let go of his top and smoothed out the soft material.
“Flannel,” I said, and passed out.
ABOUT ALISON BRUCE:
Alison Bruce has had many careers and writing has always been one of them. Copywriter, editor and graphic designer since 1992, Alison has also been a comic book store manager, small press publisher, webmaster and arithmetically challenged bookkeeper. In addition to writing, she is the Publication Manager of Crime Writers of Canada and part-time tech guru to the technology-impaired.
Alison writes mysteries, romantic suspense and historical romance. Her protagonists are marked by their strength of character, the ability to adapt (sooner or later) to new situations and to learn from adversity–traits she hopes to pass on to her children, Kate and Sam.
What It’s About:
Geoffrey Kane, Earl of Kanewood refuses to feel anything more than passion. Four years ago, his fiancée betrayed him and he has no desire to experience that again so when he meets the beautiful Rebecca Kingsley, it’s passion at first sight. And only passion.
Rebecca has led a very quiet life working for her father at a small country inn. When she meets Geoffrey she falls in love with him right away. But she’s only the daughter of a baronet and men like Geoffrey never marry country girls like her. Do they?
When Rebecca’s father tries to marry her off to a wealthy old man, Geoffrey intervenes and marries her himself. He wants her very much but he couldn’t possibly love her. Love is for fools. At least that’s what he tells himself. But a sinister enemy soon threatens to destroy all that Geoffrey holds dear, forcing him to face the truth.
His marriage depends on it . . .
And maybe even Rebecca’s very life.
The Raven’s Inn was surprisingly elegant. The brick structure was trimmed with dark green, its long windows sparkling in the late afternoon sun. Rebecca Kingsley was straightening the beautifully-appointed parlor of the inn. Her father, Thomas, insisted that all the rooms look fine. His father had been a baronet, but all that was left of the family fortune, as it were, was the inn. As a younger man, he’d traveled in the social circles of the ton and claimed to know what the gentry and lesser folk alike looked for in food and lodging. Many travelers stopped at the inn, and they expected service and accommodations as fine as any in London, or so Rebecca’s father insisted.
At just twenty years old, Rebecca had been working at the inn all of her life. Her mother died when Rebecca was just two, leaving no real memories. Thomas refused to speak of her and Rebecca had long since given up asking. The only thing he’d say was that she took after her mother in looks. This he always said in a gruffly, affectionate manner that never failed to surprise her. She supposed she inherited her fair skin from her mother, that and her thick raven-black hair. She could never see anything of herself in Thomas.
He never really gave her much notice. She worked as hard as the servants at the inn, keeping her own room as well as half of the rest abovestairs. Mary, the chambermaid, took care of the other rooms as well as seeing to the guests’ personal needs. Rebecca served the morning and evening meals in the dining room, as well, along with Emmy. Emmy was funny and kind and a shameless flirt. She never hesitated to share her experiences with Rebecca, who couldn’t help but blush. She listened, though. Closely.
Rebecca was usually free to go about her own business after finishing her chores abovestairs. But this afternoon, she polished the candlesticks and dusted the furniture in the parlor. As usual, she wore her hair plaited in one long braid coiled at the back of her head. Her simple muslin gown was a few seasons old and well-suited to her task. She paused to gaze longingly out the window toward the stables out back. Beyond them, she could see the gently rolling hills over which she so loved to ride. If she didn’t have to see to the parlor today, she’d surely be out riding her black filly.
From her vantage point, Rebecca could see two figures walking out of the stable’s wide doors. One man was slight of stature and fell in step behind the other. The man in the lead was tall with broad shoulders and dressed in a brown coat and tan breeches. He walked with a long, easy stride. Sun glinted off hair she fancied the color of honey. He had a strong profile, and Rebecca couldn’t tear her gaze away from him. What color were his eyes?
“Fool,” she chided herself. She turned back to her work, flicking her dusting cloth in frustration.
* * *
She moved with an easy grace through the dining room, her glossy black hair catching the light given off by the candles. Curls framed the perfect oval of her face and teased the back of her neck. Her simple gown hugged her lush figure, the skirt swaying over her hips as she walked. She carried a pitcher of ale, and Geoffrey couldn’t take his eyes off her as she moved from table to table.
A man’s voice broke through his reverie. “Fetchin’, ain’t she?”
“What …?” He hadn’t even noticed the gray-haired man who joined him at his table. “Yes.”
“Peter Jenkins is the name,” the slight man offered. “How do you do?”
Geoffrey shook the man’s hand. “Kane. Geoffrey Kane,” he answered. “Very well, thank you.”
The older man gave a flick of his head in Rebecca’s direction. “She’s Kingsley’s daughter.”
Geoffrey raised an eyebrow at that. This beautiful creature was related to the florid-faced innkeeper? Impossible.
Just then, the girl approached the two men. Her mouth curved into a smile for the older man before she turned her attention to Geoffrey. Her rose-colored lips parted as she stared into his eyes for a long moment. “Blue.”
Geoffrey blinked. “What?”
She shook her head. “N-nothing.”
Geoffrey could only stare at the girl, dumbstruck. Her eyes were the color of emeralds, and sparkled as prettily. His gaze fell on her lips as she flicked her tongue over them. Desire shot through him, want like he’d never felt before. Once again, Peter’s voice broke in.
“Rebecca, this is Geoffrey Kane. Kane, meet Rebecca Kingsley.”
The girl, Rebecca, curtsied in greeting after a brief hesitation. She seemed as off-kilter as he felt, to his amazement. After a moment, Geoffrey stood and bowed slightly. “Miss Kingsley.”
“I’m pleased to meet you,” Rebecca said.
Her voice suited her. It was soft and a bit husky. And damn sensual.
“Will you be staying with us long?”
If I can help it. “A few days, actually,” he said, smiling.
She gasped softly, the sound no more than a whisper. “Well, do enjoy your stay,” she said, shyly returning his smile.
She stared up at him for a moment longer. Finally, she filled his tankard. With a nod of her dark head, she continued on through the dining room. Geoffrey sank back down into his seat, his gaze glued to her form.
“Rebecca.” He breathed. “Becca.”
JoMarie DeGioia writes historical romances with a touch of mystery for Lachesis Publishing. And her books are always on the steamy side. Her Dashing Nobles series follows the romances of four male friends in Regency London.