Archive for August 2016 | Monthly archive page

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Our new anthology is officially available today! Love and Hope features three beautiful novellas about about  hope, healing, and the power of love.

By USA Today bestselling authors Kayla Perrin and C. J. Carmichael with author Brenda Gayle. 

Proceeds from sales of this anthology will be donated to Ovarian Cancer Canada.

WHERE YOU CAN GET IT:

AMAZON: http://goo.gl/BHNaFZ

CHAPTERS/INDIGO: http://goo.gl/J5Nt89

KOBO: http://goo.gl/nj6kC8

BARNES AND NOBLE: http://goo.gl/lON9wS Kindle AU http://tiny.cc/sveiey Kindle CA http://tiny.cc/fveiey Kindle UK http://tiny.cc/lweiey iBooks http://goo.gl/rjrusJ Print Amazon http://tiny.cc/tueiey ARE http://goo.gl/pz6D5v

LACHESIS PUBLISHING INC. http://goo.gl/tQgTlz

Twice and Forever by Brenda Gayle

Jill Bennett had her life planned out, and then everything changed. Soon after her husband’s sudden death from a heart attack two years ago, Jill’s daughter Rachel was diagnosed with ovarian cancer at the very young age of 21. Widowed and scared, Jill threw herself into caring for her daughter 24/7. Now that Rachel is in remission, Jill is finding it hard to let go and give her some breathing room at home and at her new job working for a local vet named Grant Palmer. Grant has a knack for getting under Jill’s skin, especially where Rachel’s future is concerned. The last thing Jill has in mind is getting on with her own life. So why can’t she stop thinking about the handsome Dr. Palmer?

Devoted to Her Cowboy by C. J. CarmichaeL When rodeo champion Blake Timber returns home as the star attraction of the Sheep River Rodeo Days he doesn’t expect to find his nerdy high school friend Shelby Turner so beautiful and so not nerdy. He also doesn’t expect to find his grandmother, frail and wearing a headscarf. When Grams reveals she has ovarian cancer, Blake is shocked. He’s thankful that Shelby, who works in his grandmother’s flower shop, has been there for her. But he wants to take over the reins and get his beloved Grams the best care money can buy. In spite of his best efforts, his well-intentioned plans are met with stubborn resistance from both women. Adding to his frustrations is his ex-girlfriend Kelli-Jo Calhoun, who is the Sheep River Days organizer. Unhappily married and with a son, she seems hell bent on roping him into something that could put everything he cares about at risk—especially his growing feelings for Shelby.

Her Angel by Kayla Perrin Tasia Montgomery never thought she’d get “that” phone call from her mom. Stage four ovarian cancer. Tasia puts her job as a chef in a busy restaurant in Atlanta on hold, to go home to Miami to be there for her mother. When her mom passes away, Tasia is left with a huge burden of guilt, sadness, and loss. Now, she is tasked with the duty of packing everything up and selling the family home. She knows her mom didn’t want her to sell but what choice does she have? Her brother Andrew, who is living in Seattle with his wife and their baby, is as distant as can be. Just like their father, who up and left them when they were kids. But when Tasia meets Malcolm Robertson, the contractor her mom hired to renovate the house before she died, Tasia is drawn to him. Her mom treated him like a son and shared things with him that she never revealed to Tasia. Malcolm becomes a good friend to Tasia, but does she want something more with the handsome contractor? As Tasia, sorts through her mother’s belongings she makes a discovery about her mom that shocks her to her core, but will it make her see the truth of her own life or make her head back to Atlanta for good?

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J.M. Griffin is the bestselling author of the popular Vinnie Esposito Cozy Mystery Series – Today JM interviews her friend, romance author, Blanche Marriott in our new series called: Author 2 Author.

MG: I had a chance to chat with Blanche Marriott, a friend and wonderful author who has offered such heartfelt encouragement to me and others in our writing journeys, that I wanted to share her thoughts with you. Blanche writes romance with a great sense of humor, and I’ve enjoyed reading her stories. Thanks for sharing, Blanche!

Tell our audience a bit about yourself, your writing process, and how/why you became a writer.

BM: Like most writers, it begins with an idea, a story playing in your head, or voices acting out a scene. I had a story playing in my head for years until I finally decided it had to be written down.  It was a great story, the best thing anyone had ever written!  It would sell in an instant and I’d be instantly famous with talk shows knocking down my door for an interview. That story is now covered in dust and sits in drawer somewhere, never to see the light of day.  It was AWFUL!!  But that’s where the love of writing began. I knew I could do better, so I did.

JMG: When did you realize you wanted to write and why did you choose romance? 

BM: I’d always done writing of some sort, even as a child.  Poems, short stories. It was mostly for myself. A way of expressing myself. It wasn’t until college when an English professor wrote kind words on anything I passed in. He saw potential and I think that was the first time I took any of my writing seriously. Why did I choose romance?  Mostly because that’s what I enjoyed reading.  I loved a happy ending.

JMG: How many books do you have published? 

BM: 6 novels, 1 non-fiction satire.  I’ve written 14 total.

JMG: If you could offer advice to newbie authors, what would you say? 

BM: Persevere. It’s a long road, often times frustrating. But if you believe in yourself, you can do it. Don’t think that the first thing you write will sell like hotcakes like I did. It probably won’t.  The craft of writing is learned over a period of time, mostly trial and error.  By the time I got to my third book, I felt like I’d hit my stride and had some sort of idea what I was doing. It felt right, and it was. That was the first book I sold.

JMG: Tell us your opinion on Indie publishing versus traditional publishing? 

BM: Obviously, there’s something good to be said about both. Likewise, there are bad points for both. It’s much harder to get published today with traditional publishers (in my opinion) because they are only looking for the best of the best. When I sold my first book, it had been a long time coming–over 10 years.  Nowadays, with the tight competition, and the fewer new authors being bought, I fear that these new authors are in for a lot of disappointment. Indie publishing can satisfy that burning desire to be published, but it can leave one with the nagging question, “Is it really good enough?”

JMG: Have you ever independently published your work? If so, what did you take away from the process? You can tell us the good, the bad, and the ugly, we won’t mind!

BM: After selling 3 books traditionally, I decided to go the indie route because the book I really wanted to publish didn’t quite strike any publisher’s fancy. It was just a little off the beaten track so it was turned down across the board. I enjoyed the freedom of indie publishing. I felt I could write what I wanted, the way I wanted. That can be a drawback, because who says what I want to write is any good?  Again, we never know. But when I read the reviews, I feel vindicated.

JMG: I know you’ve taken a break from writing, but do you think you’ll return to it one day? 

BM: I suppose I might. They say once a writer, always a writer. I admit I still look at things with a writer’s eye: movies, TV shows, people watching. It’s second nature. Perhaps one day the bug will bite hard enough and I’ll have to bite back.

JMG: Do characters still pop up into your brain yearning to be put in a story? How do you handle it when that happens? 

BM: Yes, like I said in the previous answer, things still hit me from time to time. I don’t rush to get a paper and pen anymore like I used to, but maybe it’s a matter of exercising the brain, or greasing the wheels.  If I see enough awful plots out there, I might just have to write a better one.

ABOUT BLANCHE MARRIOTT:

Blanche Marriott began writing romance novels in 1991 while balancing her career as a wood products manufacturing manager. She often joined the troops in the factory, working on sanders, drills, and saws. It gave her time to “talk” to the characters in her head and figure out what they would do next. In 2001 she switched careers and now works for a CPA firm as an accounting assistant, specializing in payroll.

She has completed 14 novels while staying active in 2 writing groups, serving on the Boards of Directors several times, and a number of conference committees. But the best part was the life-long friendships she’s formed with so many writers, published and unpublished.

Her first published novel, KALEIDOSCOPE, won 2nd place in the 2003 WisRWA Write Touch Readers’ Award for published authors. Her second book, WAY OUT WEST, won the  prestigious New Jersey Romance Writers’ 2003 Golden Leaf Award for Short Contemporary. WAY OUT WEST was also a finalist in the 2004 Virginia Romance  Writers’ HOLT Medallion Awards.

Her current novels are ONE MORE NIGHT and HIS BROTHER’S BABY. She also has a non-fiction humor book, BORN TO BITCH, chronicling life’s little annoyances.

When she’s not writing, Blanche enjoys gardening, reading, and playing with her grandkids.

CONNECT WITH ROMANCE AUTHOR BLANCHE MARRIOTT via her website, on twitter, on facebook, and amazon.

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OUR DEAL OF THE WEEK is the romantic suspense novel Give Me Shelter by Alexis D. Craig.

GET IT AT LACHESIS PUBLISHING FOR ONLY .99 CENTS! THIS WEEK ONLY. CLICK HERE TO BUY! ALL E-BOOK FORMATS AVAILABLE!

What it’s About:

Inspector Eli Miller’s unspoken feelings for his partner, Bex, color his whole life. When his past comes calling, will it be the push he needs to seek a future with her?

Inspector Rebecca ‘Bex’ Mulcahy has lived long enough to know that love is a street con at best, and a dangerous distraction at worst. Any feelings she has for her partner Eli definitely fall into the latter category. Will her dedication to her job keep her from finding a possible future with Eli?

Their latest case is protecting Violet Burrell, a young woman with scars on her soul stretching back to birth, who inadvertently witnesses a shockingly brutal murder at the hands of a sadist. Violet is determined to testify in court. Her strength and courage impress Eli and Bex, who will protect her at all costs.

But it is Violet’s beauty and spirit that entrances Junior Inspector Atticus Randall. Atticus is also assigned to protect Violet, and while he knows he should ignore his growing feelings for her, he just can’t stop himself from falling for the brave beauty.

Life in the Las Vegas branch of Witness Protection has never been more tangled. When the emotional landmines start a chain reaction, everyone in the blast radius is going to need a little shelter.

EXCERPT:

AR escorted Vi out to the table on the balcony to enjoy their sundaes. He liked to take his lunch out here on occasion, just when he needed to get away from his desk for a bit but didn’t want to leave the building. His dedication was paying off, since Marco had started entrusting him with more and more responsibilities, as evidenced by the woman sitting next to him now with her eyes closed in bliss. “You really never had a hot fudge sundae before?”

She shook her head, and her expression hardened. “No. Not with my mother and certainly not with the nuns.”

He pondered her ascetic life and the choices she’d made from it. It was all there in her file, but he felt like an intruder or a stalker, knowing that much about a virtual stranger to him. He’d much rather know her as a person, beyond the story of sadness and neglect. “Violet’s a pretty name.” An inane statement, but he knew he was out of his depth attempting to tackle a subject so daunting as the life of Violet Burrell.

She shrugged and flipped the end of a pigtail over her shoulder. “It is what it is. Your parents really named you Atticus? They not like you or something?”

He snorted a laugh and put the spoon back into his ice cream. “They like to read.”

“To Kill a Mockingbird, I know.” She smiled shyly. “It’s a good name. Strong, valiant.”

The heat of the summer air had nothing on him. He saw her grin, and he felt his ears burn from a blush. “So what’s the verdict?” He gestured towards her rapidly diminishing sundae.

“I think I want to eat this for the rest of my life,” she said as she dipped her spoon into the plastic cup to fish out a peanut covered in hot fudge.

“That good, huh?” He watched her close her eyes and sigh as she licked the spoon, and he had to loosen his tie. The way she was enjoying her ice cream reminded him that his wasn’t going to stay frozen forever. He dipped his spoon into the plastic cup and then brought it to his mouth.

“Damn near better than sex.”

At her words, he found himself gulping down a large mouthful of ice cream, much more than he meant to, swallowing it quickly. “Oh hell! Ice cream headache!” The sharp spike of pain that it brought was quick and excruciating, but it served its purpose driving all thoughts of pursuing that line of questioning from his mind. As the throbbing ache receded, he noticed her hand on the back of his neck, trying to help by rubbing and massaging from the base of his skull to his shoulders. So much for virtuous thoughts. Nodding to show her that he was okay now, he reached in front of her and snagged her mysterious old green book from beside her purse as she returned to her ice cream Nirvana.

“Hey, that’s not yours,” she said around a mouthful, gesturing with her spoon. But, she made no move to retrieve it from him, so he felt comfortable perusing while she continued to savor her snack.

He opened the book at the place she’d marked, reading about a gameskeeper comforting the lady of the house, in a chicken coop, that led to so much more than mere physical release in graphic and frankly gripping detail. That was definitely not what he’d expected, and the fact that she’d been reading this book all this time did things to his already heated blood that made his mouth run dry and his ears start to ring.

“So . . . ?”

Her voice, smokier than before, startled him out of the words on the page. Her purple eyes were darker than he remembered, and he found himself lost for a moment before he caught himself. “It’s ah . . . definitely colorful.” He pushed the closed book back over to sit next to her purse, her bookmark still in place.

Vi smiled self-consciously. “It’s the language. It paints this picture like a smudged old photograph, beautiful and still kind of dirty.”

And that about described the thoughts he was having at that moment. “I could definitely see that.”

Like what you’ve read? You can get Give Me Shelter at Lachesis Publishing and on amazon.com, at Barnes and Noble and Kobo.

Alexis D. Craig has been a writer from early childhood, discovering her calling when she wrote the Thanksgiving play for her kindergarten class in Tucson, Arizona. After moving to Indianapolis with her family in 1988, she wrote a column for her high school newspaper and two novel-length stories before graduating at age sixteen from Park Tudor School. After attending Sarah Lawrence College outside New York City, she returned home to Indiana to be closer to her family.

Alexis works for a local sheriff’s department in the communications division. She spends her free time reading and writing romance novels and investigating haunted houses.

She lives with her husband and two very excitable beagles.

Connect with Alexis D. Craig on her website, and on facebook,  twitter and goodreads.

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Three stories about hope, healing, and the power of love. By USA Today bestselling authors Kayla Perrin and C. J. Carmichael with author Brenda Gayle. 

Get it HERE at Lachesis Publishing.

or Pre-order it on amazon, Kobo.

It will be available everywhere books are sold on Aug. 30th.

Proceeds from sales of this anthology will be donated to Ovarian Cancer Canada

Twice and Forever by Brenda Gayle Jill Bennett had her life planned out, and then everything changed. Soon after her husband’s sudden death from a heart attack two years ago, Jill’s daughter Rachel was diagnosed with ovarian cancer at the very young age of 21. Widowed and scared, Jill threw herself into caring for her daughter 24/7. Now that Rachel is in remission, Jill is finding it hard to let go and give her some breathing room at home and at her new job working for a local vet named Grant Palmer. Grant has a knack for getting under Jill’s skin, especially where Rachel’s future is concerned. The last thing Jill has in mind is getting on with her own life. So why can’t she stop thinking about the handsome Dr. Palmer?

Devoted to Her Cowboy by C. J. Carmichael When rodeo champion Blake Timber returns home as the star attraction of the Sheep River Rodeo Days he doesn’t expect to find his nerdy high school friend Shelby Turner looking so beautiful and so not nerdy. He also doesn’t expect to find his grandmother, frail and wearing a headscarf. When Grams reveals she has ovarian cancer, Blake is shocked. He’s thankful that Shelby, who works in his grandmother’s flower shop, has been there for her. But he wants to take over the reins and get his beloved Grams the best care money can buy. In spite of his best efforts, his well-intentioned plans are met with stubborn resistance from both women. Adding to his frustrations is his ex-girlfriend Kelli-Jo Calhoun, who is the Sheep River Days organizer. Unhappily married and with a son, she seems hell bent on roping him into something that could put everything he cares about at risk—especially his growing feelings for Shelby.

Her Angel by Kayla Perrin Tasia Montgomery never thought she’d get “that” phone call from her mom. Stage four ovarian cancer. Tasia puts her job as a chef in a busy restaurant in Atlanta on hold, to go home to Miami to be there for her mother. When her mom passes away, Tasia is left with a huge burden of guilt, sadness, and loss. Now, she is tasked with the duty of packing everything up and selling the family home. She knows her mom didn’t want her to sell but what choice does she have? Her brother Andrew, who is living in Seattle with his wife and their baby, is as distant as can be. Just like their father, who up and left them when they were kids. But when Tasia meets Malcolm Robertson, the contractor her mom hired to renovate the house before she died, Tasia is drawn to him. Her mom treated him like a son and shared things with him that she never revealed to Tasia. Malcolm becomes a good friend to Tasia, but does she want something more with the handsome contractor? As Tasia, sorts through her mother’s belongings she makes a discovery about her mom that shocks her to her core, but will it make her see the truth of her own life or make her head back to Atlanta for good?

Like our Lachesis Publishing page on facebook. Follow Lachesis Publishing on twitter.

 

 

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Our DEAL OF THE WEEK is CHILDREN OF THE OLD STARS by David Lee Summers. Only .99 cents. This week only!

CLICK HERE TO BUY

What it’s About: 

The Cluster is a vast alien machine that destroys starships indiscriminately in its quest for something or someone. Commander John Mark Ellis, disgraced and booted out of the service when he fails to save a merchant ship, believes the key to stopping the Cluster is communication. Clyde McClintlock believes the Cluster is God incarnate. G’Liat is an alien warrior whose own starship was destroyed by the Cluster. All together these three set out to solve the mystery of the Cluster before it finds the object of its quest.

Get CHILDREN OF THE OLD STARS right here at Lachesis Publishing for only .99 cents!

You can purchase David Lee Summers’s books at Lachesis Publishing, on amazon, Barnes and Noble, kobo, and iBooks.

Connect with David Lee Summers. online via facebook and twitter, and check out his web site.

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Laurie Kahn (left) with production assistant Riley Davis (centre) and production coordinator Julia Hines.Photo: Sean Proctor/Boston Globe

Laurie Kahn is a documentary filmmaker whose latest film explores the world of romance fiction and romance writers. It’s called LOVE BETWEEN THE COVERS and it was just released last month. Laurie Kahn is also the Project Director of THE POPULAR ROMANCE PROJECT, which includes the doc film LOVE BETWEEN THE COVERS, about the global community of women who write and read romance novels as well as a large interactive website exploring popular romance across time and across cultures, a nationwide library program with the American Library Association, and a symposium on the deep roots of romance fiction and its future in the digital age at the Library of Congress.Kahn is known for making documentary films that explore fascinating aspects of popular culture and women’s issues. Kahn’s film A MIDWIFE’S TALE was part of PBS’s The American Experience series and won numerous awards including a national Emmy for Outstanding Non-fiction. Her more recent film, TUPPERWARE! won the George Foster Peabody Award and was nominated for a national Best Nonfiction Director Emmy. Both films are used in courses on women’s history, medical history, early American history, obstetrics, midwifery, 20th century history, marketing and gender studies. Kahn also conceived of and produced an award winning website, DoHistory.org, that immerses its users in the hands-on process of piecing together the life of an extraordinary person in the past. Kahn’s film company, Blueberry Hill Productions, was founded in 1992. During the 1980s and early 1990s, she worked on many award-winning documentary series, including The American Experience, Eyes on the Prize: America’s Civil Rights Years 1954-1965, and Frontline Special Report: Crisis in Central America. For the past four years Kahn has directed the Creativity Foundation. She has also been a consultant for the American Film Institute, The Smithsonian Institution, and the National Endowment for the Humanities. Before working in film, she worked in radio for NPR’s evening news program All Things Considered.

LP: What inspired you to make the documentary LOVE BETWEEN THE COVERS?

Laurie Kahn’s film A MIDWIFE’S TALE was broadcast on PBS

LK: As a documentary filmmaker, I want to bring the lives and work of strong, interesting women to the screen, because women’s stories aren’t being told nearly often enough!  I am also very aware that any industry dominated by women is typically dismissed as trivial and “merely domestic.”  My previous films — A Midwife’s Tale and Tupperware! – are very different from one another, but they were both shaped by my desire to look honestly at communities of women who haven’t been taken seriously (but should be), who deserve to be heard without being mocked.

When I learned that the romance fiction community is global, successful, and almost entirely female, my ears perked up. I began doing research, and I discovered a group of women who’ve built a remarkable community — and also a multi-billion dollar business.

Panel discussion after a screening of LOVE BETWEEN THE COVERS

LP: How has the romance community responded to your film?

LK: There have been almost 100 very successful screenings of Love Between the Covers — in libraries, community centers, and movie theaters in cities across the US, and around the world.  The big romance publications — Romantic Times, USA Today’s HEA, the American Library Association and many romance blogs — have raved about the film.  I get email and social media messages from readers and authors who I don’t know, all the time.  And since the film’s wide release on various platforms on July 12, I hope to hear from many more!

LP: Who are the authors that you follow in LOVE BETWEEN THE COVERS? And what was it like meeting them and talking to them?

LK: I wanted to find a broad range of characters, to challenge the two-dimensional stereotypes of romance authors and readers.  I was looking for authors with diverse backgrounds and diverse day-jobs.  After shooting dozens of interviews, I had to narrow down my list of potential main characters. And that was incredibly difficult, since so many of the women I’d been interviewing were funny, smart, and interesting.

NEW YORK, NY – JUNE 30: Laurie Kahn (L) and Eloisa James attend the AOL Build Speaker Series to discuss the documentary “Love Between the Covers” at AOL Studios In New York on June 30, 2016 in New York City. (Photo by D Dipasupil/FilmMagic) (Getty Images)

The main characters we finally chose to follow in Love Between the Covers are:

Mary Bly– Tenured Shakespeare professor by day, bestselling romance author Eloisa James by night. Len Barot– Surgeon, farmer, publisher, and well-known author of lesbian romance fiction, writing under the pen names Radclyffe and L.L. Raand. Beverly Jenkins– Pioneer of African American romance, author of historical, suspense and inspirational romances. Susan Donovan and Celeste Bradley – Best friends, divorcees, single mothers, and New York Times bestselling writing partners. Joanne Lockyer– A young Australian environmental consultant and aspiring romance author trying to publish her first novel.

* Nora Roberts– Often called the Queen of Romance. One can’t make a film about the romance community without Nora!

But lots of other writers play important roles in the film.  We got terrific interviews with Jayne Ann Krentz, Jennifer Crusie, Robyn Carr, Brenda Jackson, Suzanne Brockmann, Bella Andre, Sherry Thomas, Kristan

Higgins, Jill Shalvis, Jodi Thomas, and many more.  For a list of all of the authors we interviewed, you can check out lovebetweenthecovers.com/main-characters.

Nora Roberts interview clip from LOVE BETWEEN THE COVERS

I had a blast meeting and getting to know all of them!

LP: Tell us about the production itself – how was it funded and is this doc part of a bigger series or a special academic project you are working on?

LK: Back in 2010, I dreamt up the Popular Romance Project which includes 1. the website PopularRomanceProject.org, 2. the Library of Congress conference What is Love? Romance Fiction in the Digital Age (you can see the conference program and watch all four amazing panel discussions at http://www.lovebetweenthecovers.com/loc-con), 3. the film Love Between the Covers, and 4. a nationwide program of screenings of the film at public libraries, universities, and community centers.

Check out the trailer for LOVE BETWEEN THE COVERS

The project was funded by hundreds of generous Kickstarter supporters, the National Endowment for the Humanities, Mass Humanities, the Nora Roberts Foundation, an RWA scholar grant, the Freed Foundation, Amazon’s foundation, Harlequin (they supported the conference), and dozens of other foundations.

The sneak preview of Love Between the Covers took place in the historic Jefferson Building at the Library of Congress in February of 2015. I’m proud of organizing the first-ever conference on romance fiction hosted by the Library of Congress!  And I’m grateful to all of my partners on this project: the Library of Congress, the Center for History and New Media, and the International Association for the Study of Popular Romance.

LP: How do you define a romance novel?

LK: The Romance Writers of America define a romance novel as a novel with a central love story and an emotionally satisfying and optimistic ending. So that’s the definition I worked with!

Jane Austen was a “contemporary romance author”  in her time and the “originator” of the now hugely popular Regency Romance

LP: When did you start reading romance and why do you love it?

LK: I was a big reader of Victoria Holt, Elizabeth Goudge, and Jane Austen when I was in junior high school.  I was intrigued by the Brontes, and immersed myself in the imaginary world the Bronte sisters created when they were young.  When I got to high school I became an avid reader of Fyodor Dostoevsky, Thomas Mann, James Baldwin, Herman Melville, and many others — mostly men, since very few women were deemed worthy of “the canon” back then.  In college, my reading shifted to non-fiction (I was a philosophy major and I wanted to be a journalist.)  For years I read non-fiction and short stories. Plunging into the romance world has allowed me to plunge back into long-form fiction!

LP: Why is romance fiction important for women? In your opinion is it empowering? Is it feminist?

LK: I think romance fiction is empowering.  This is one of the few places where women are always center stage, where they get what they want, justice prevails, and the broad spectrum of desires of women from all backgrounds are not feared, but explored unapologetically.

Film screening and panel of Love Between The Covers

LP: When and where can we expect to see LOVE BETWEEN THE COVERS? Any upcoming screenings?

LK: Love Between the Covers was officially released on July 12!  It’s all been very exciting!  The film is now available for purchase at Amazon, iTunes, Google Play, X-box, VUDU, DirecTV, FandangoNOW, Kaleidescape, AT&T U-verse, cable on demand, satellite TV and many other platforms!  Here are the links for Amazon and iTunes:

http://radi.al/LBTCAmazon

and http://radi.al/LBTCiTunes).

You can find info about upcoming public screenings at: lovebetweenthecovers.com/screenings.

LP: Tell us about some memorable moments that happened during filming of LOVE BETWEEN THE COVERS?

Nora Roberts​ and R. C. Ryan / Ruth Ryan Langan​ on rooming together at the very first Romance Writers of America​ conference and becoming life-long friends.

LK: It took us a few years to get our interview with Nora Roberts, but when we did, she was open and funny and willing to talk about subjects she’s never been asked about.  A woman was sitting outside the hotel room where I was doing the interview.  I asked who she was, and Nora told me it was Ruth Langan, a romance writer she met 30 years earlier at the very first conference of the Romance Writers of America.  They roomed together then, and have been sharing a room at the national conference ever since! Clearly Nora, a multi-millionaire, does not have to share a room with anyone!  But I thought their friendship said a lot about the loyalty and camaraderie of the romance community. I invited Ruth into the room and then interviewed the two of them together. Our interview with Nora is unlike any other interview with her that I’ve seen.  She openly discussed her childhood, shared hilarious stories about her early days as a writer, explained how the romance industry has changed, and discussed her writing process.

Laurie Kahn’s next project is a feature-length documentary film following Y2Y (Young Adults Uniting to End Homelessness).

LP: What’s coming up for you – tell us what you’re working on next?

LK: My next film project is about a homeless shelter called Y2Y (Youth-to-Youth) — created for young adults and staffed by volunteer university students the same ages as their homeless guests. I will document Y2Y’s obstacles, hard choices, and triumphs over the next three years as homeless young adults and idealistic university students work together to create a safe environment for an extremely vulnerable population. It’s a wildly ambitious attempt to come up with a better model for dealing with homeless youth, and the students running the operation hope to inspire other students to replicate what they are doing at universities around the country.  It’s an important subject.  And the students and homeless guests are inspiring. For more info: blueberryhillproductions.com/y2y.

A romance novel cover photo shoot featured in LOVE BETWEEN THE COVERS

LP: Bonus: Who do you fangirl over? 

LK: Sorry to be geeky but I fangirl over beautifully made, interesting, entertaining documentary films.  When I see one, I’m jazzed for days.

LP: Where do you enjoy tucking into a good romance novel?

LK: On a hammock between two big trees in my yard.  In the winter, you can’t beat a comfy chair in front of a fireplace!”

An excerpt from our interview with romance author Beverly Jenkins, who gave us some insight into where her characters come from.

Connect with filmmaker Laurie Kahn on her website for Blueberry Hill Productions, on facebook and twitter, and through

The buy link for Love Between the Covers is http://radi.al/LBTC

You can check out the film trailer for LOVE BETWEEN THE COVERS AT: –https://vimeo.com/167886547 

You can see ALL the different places where the film is now available for purchase or viewing at:lovebetweenthecovers.com/filmrelease as well as watch excerpts from the film AND fabulous bonus videos with footage that did not make it into the film!

Authors: Susan Donovan and Celeste Bradley in an excerpt from LOVE BETWEEN THE COVERS

If you watch the film LOVE BETWEEN THE COVERS take the time to rate and review it at Amazon, iTunes and GooglePlay!  It will make a big difference for this wonderful indie documentary film!!!

To connect with Laurie Kahn online check out the website for Blueberry Hill Productions or the facebook page for LOVE BETWEEN THE COVERS.

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Jeffrey Marriotte, bestselling supernatural thriller and horror author

Jeffrey J. Mariotte is the bestselling, award-winning author of fifty novels, including supernatural thrillers Season of the Wolf, Missing White Girl, River Runs Red, and Cold Black Hearts, horror epic The Slab, thriller The Devil’s Bait, and the Dark Vengeance teen horror quartet.

He also writes occasional nonfiction, short fiction (some of which is collected in Nine Frights), and comic books, including the long-running horror/Western comic book series Desperadoes and graphic novels Fade to Black and Zombie Cop. With writing partner Marsheila Rockwell, he has published several short stories and a novel, 7 SYKOS. He has worked in virtually every aspect of the book business, as a writer, editor, marketing executive, and bookseller.

Jeff Mariotte and Marsheila Rockwell (writing partners and life partners)

I’ve known Jeff for several years and was delighted when he agreed to answer a few of my questions.

DLS: When people see an author’s name, they often see it as a “brand”, knowing what kind of story they’ll get. You’ve written in several genres from science fiction to weird westerns to horror. How do you define the “Jeff Mariotte Brand”?

JM: I’m convinced that writing in different genres has been harmful to my career, because readers tend to like a writer who stays put, who delivers basically the same thing book after book. Once you’re well established, you can switch around–like Robert B. Parker eventually turning to the occasional western after writing a ton of mystery books in different series. But shifting around before your “brand” is established seems like a bad move, career-wise.

That said, I don’t see how I could have done it differently. I have to write what I’m moved to write at any given time. I’d get bored writing the same series character over and over. I haven’t calculated out the wisest career path, but have written the books that felt like they needed to be written as they came along. I’m true to myself, if not to market considerations. My agent might prefer it the other way around, but I am who I am.

I hope that readers know that when they pick up one of my books, they’ll get a compelling, suspenseful tale that’ll keep them turning the page; they’ll get well-written and engaging stories populated with characters they’ll believe in and care about. Regardless of genre, I try to always write books that will brighten a reader’s day and life, that entertain and maybe inform and enlighten. My books are generally optimistic, even when they venture into dark places, and one of my central themes seems to be the idea that there’s magic in the world, if only you know to look for it.

DLS: Who was your greatest writer influence/inspiration when you started? What are some books of theirs you would recommend?

JM: I was a bookseller for years before I got published, so I was reading pretty extensively in my preferred genres–horror, mysteries, thrillers, sf, fantasies, westerns. Consequently, I had (and have) a lot of inspirations. Some have changed over the years, and others have been consistent. In the early days, I was strongly inspired by Robert E. Howard (particularly his Conan stories), the aforementioned Bob Parker (his Spenser novels), Raymond Chandler (Philip Marlowe) and Ross Macdonald (Lew Archer). At the same time, I’ve often been inspired by writers as varied as Stephen King (The Stand, The Shining, On Writing), William Goldman (Marathon Man, Boys and Girls Together) and Wallace Stegner (Angle of Repose, Recapitulation, Wolf Willow). More recent influences include James Lee Burke (any of his books, but especially the Robicheaux novels). That’s a pretty male-centric list, but I could also add in works by Joan Vinge, Leigh Brackett, C.L. Moore, Laura Lippman, Barbara Kingsolver, and plenty of other talented women, as well as one of the best writers I know, Marsheila Rockwell.

DLS: You recently married your writing partner, the talented Marsheila Rockwell. How do your collaborations work? How does collaborating compare to writing solo?

JM: Funny you should mention that…

We collaborate very well, almost seamlessly. We have different strengths–she’s a poet and her command of language is beautiful, while I’m a stronger plotter, for instance–but when we work together, our strengths complement each other, and by the time we’re finished with a story, we usually can’t tell who wrote what. We try to start with a solid outline so we know where we’re going and what each other’s vision of the overall story is (and because we both come out of a tie-in writing background, we’re used to working with outlines). Then we trade off–scene by scene, chapter by chapter, whatever works at the moment and for any given project. On the first book of the Xena: Warrior Princess trilogy we’re working on, we had a relatively tight deadline and had to be writing different chapters simultaneously, which was a little awkward. But we smoothed it all out, and it came out well in the end.

As for the difference between collaborating and solo work, it is a different beast. A solo story or novel is one person’s vision, and everything in it, good or bad, is a reflection of that one person. A collaboration is necessarily a shared vision. I’ve written a lot of comic books and graphic novels, and because I don’t draw, those are always collaborations. And I’ve collaborated with other writers, too. So it’s not new to me. It does feel more natural with Marcy, and we work together better than I have with anyone else. Ideally, the result of a collaboration is a book or a story one writer couldn’t have written, because each participant brings different skills and life experiences to the table, and that’s what Marcy and I get when we write together. The fact that I get to be married to her is icing on the cake.

DLS: What insights have you gained from owning a bookstore that can help writers be more successful and stand out from the crowd?

Image: Slate.com

JM: I think the experience of working in bookstores, managing them, and being an owner of one, has made me less ready to jump on board the e-book train. I think printed books are an ideal marriage of form and function–they don’t require a power source, they don’t break down or become corrupted, they’re always there when you want to read and you can save your place with a bookmark or a piece of paper or a paper clip or whatever’s handy. At the same time, I have a more realistic view of the book business than some people, who seem to think that Amazon is the only bookseller that matters. The truth is that printed books still far outsell e-books, and other outlets still sell more books in the U.S. than Amazon does, so if a writer focuses all of his or her efforts on Amazon, he or she is leaving a lot of potential sales on the table.

DLS: Not only do you write in your own worlds, you’ve written novels and stories for Star Trek, NCIS, Buffy the Vampire Slayer, and other franchises. How does “playing in someone else’s sandbox” compare to creating your own world?

JM: I love writing my original novels, and will always want to do that. Creating my own characters and involving them in situations entirely of my own devising is the ultimate creative experience. But it’s also a blast to be asked to write novels about characters I love, like Conan, Xena, Spider-Man, Superman, and great TV shows like CSI and NCIS: Los Angeles. I get to tell stories in beloved fictional universes, and get paid for it–nothing wrong with that!

The skills that are called on are the same. I have to create characters, plot stories, write in an engaging and entertaining manner. And the truth is whether I’m writing in an existing fictional universe or my own, I have to be consistent and true to the rules of that universe as it’s been developed. So the main difference is that in tie-in work, I have to try to capture voices that were devised by other writers (and sometimes actors). Fortunately, I’m pretty good at that.

DLS: If someone wanted to try their hand at writing and selling a novel in the world of a popular franchise, what would they need to do? How should they start?

JM: They could start by visiting the website of the International Association of Media Tie-in Writers, IAMTW.org. There they can find out a lot about the nuts and bolts of the tie-in business, and maybe find out about licensed fiction lines they didn’t even know existed. The organization has also released a book by its membership that contains more details about the trade.

Typically (although there are exceptions) to write a tie-in novel, you have to have had at least one other novel professionally published. Publishers have already invested a lot of money to acquire a license, so they don’t want to risk more by hiring a writer who hasn’t proven the ability to write a publishable book. And there’s often competition for tie-in gigs, so if it’s a choice between a writer with a solid track record and an unknown new writer, the established pro will have the advantage. So the best thing a writer can do is write a good book, get it published by a reputable publisher, then approach the publisher of the licensed fiction line of interest and say, “Hey, I wrote X and I’d sure like to pitch you something for your Y line.”

DLS: In addition to writing novels, you’ve written and edited comic books. How are writing comic books similar and different than writing novels or short stories? Do you collaborate with the artist ahead of time, or create any kind of storyboard in addition to writing?

JM: As I mentioned above, because I don’t draw the comics, each one is a collaboration, start to finish. I write the script before the artist draws it, so while I’m writing it I’m only speculating about what it’ll look like at the end of the process. Usually what I’m seeing in my head is not much like what comes out on the page. From the very beginning of my career, I’ve had the good fortune of working with some amazing artists, whose work on my scripts has blown me away.

Ultimately, the skill sets the writer brings to the table are similar. You need to tell a story that’s worth telling, that’s interesting and surprising and suspenseful and is hopefully enlightening in some way. The differences are in the techniques and the outcome. In comics, you have to be willing to stand back and let the art tell the story. The writer makes up the story (in most cases), and puts it down in a script that no one will ever see, but the artist is the one whose interpretation of the story ends up being what the readers see. The writer has to let the artist do that job, and keep the words to a minimum so they don’t get in the way of the art.

I don’t try to direct the artist to any great extent. I tell them what has to be in each panel to make the story work, but leave it to them how the panel is composed, how the different panels fit onto the page, etc. I’ve worked, as an editor, with writers who don’t trust their artists and do sketch layouts for them. Fortunately, in most cases, the artists I’ve worked with are far better at that than I would be.

DLS: What kind of research did you do writing the comic book biography of Barack Obama? Did you get to interview the President or did you work from other resources?

JM: That project was fascinating, and required vast amounts of research. I didn’t get to meet or speak with the President (though I’d still love to). I wrote it during the 2008 campaign and the first few months of his presidency, so at the time there weren’t even any books about him other than the two he wrote himself. Obviously he was a well-known public figure, but what had been written about him was mostly journalism coming out on a constant basis, along with a few more in-depth magazine pieces. I read his books and every article about him I could get my hands on, and watched him on TV whenever possible to get a sense of his voice. The scripts were vetted by lawyers, and I had to have every fact triple-sourced, and had to be able to show where every line of dialogue came from. The project was originally three separate comic book issues that were collected into a single hardcover book, which was actually the first book-length biography written about him.

DLS: I sense a certain passion for small towns on the southern border of the United States in your writing. What captivates you about those places in particular?

JM: Borderlands of all kinds are fascinating to me. I have written a lot about the US/Mexico border, but I’ve written about other borders, too–my Age of Conan trilogy, for example, was largely about the border between the Aquilonian Empire and the Pictish lands–which is kind of a parallel to Hadrian’s Wall, where the Roman Empire ended and the wilderness began. Other borders in my fiction include borders between our world and another (or many others). Borders are where different people with different interests and backgrounds intersect. There’s natural drama in that. Along our southwestern border, there are of course political issues, issues of crime and punishment, and the story of the human race–which is the ongoing story of migration–all of which are rich territory for fiction.

DLS: Tell us about your latest novel.

JM: The new book is 7 SYKOS, a collaboration with Marsheila Rockwell. It’s kind of a science fiction/horror/thriller hybrid. Basically, a meteor has brought a spaceborne virus into the Phoenix metropolitan area, which has the effect of turning those infected into raging lunatics hungry for brains. It’s incredibly virulent and there’s no known cure or vaccine. In order to keep it from spreading throughout the nation (or the world), the military has fenced off the Valley of the Sun, and nobody is allowed in or out. But everyone knows that’s only a temporary solution, so if something more permanent can’t be figured out soon, the Valley’s going to be nuked out of existence. Trouble is, the only way to come up with a fix is to get enough of the meteor to study, and nobody can get to it. But it turns out that the unique brain structure of psychopaths makes them immune to the virus. So they can go into the quarantine zone, to look for pieces of the meteor. And all they have to do is agree to perform an essentially altruistic act, learn how to play well together, and survive the onslaught of thousands of Infecteds who want to eat their brains. Nothing to it, right…?

DLS: Sounds amazing! Thanks for the wonderful and informative interview!

Connect with Jeffrey Mariotte online: website, facebook, twitter Connect with Marsheila Rockwell online: website, facebook, twitter

Connect with David Lee Summers. online via facebook and twitter, and check out his web site.

Like our Lachesis Publishing page on facebook. Follow Lachesis Publishing on twitter.

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Our DEAL OF THE WEEK is  A Bodyguard to Remember by Alison Bruce – a romantic suspense with a light touch. GET IT HERE FOR .99 CENTS! THIS WEEK ONLY!

CLICK HERE TO PURCHASE YOUR E-BOOK COPY (ALL VERSIONS AVAILABLE).

WHAT IT’S ABOUT:

Prudence Hartley has the usual single mom problems: getting her kids to school on time; juggling a gazillion errands while trying to get a full day’s work done; oh, and don’t forget about dinner.

But Pru’s problems become a tad more complicated and a lot more dangerous when she finds a dead man in her house. Or a dead spy to be exact. Suddenly, a federal agent named David Merrick shows up and whisks her and her kids into protective custody. Pru has so many questions spinning through her brain she doesn’t know where to begin. How is she going to keep her kids safe? What was the dead spy looking for in her house? Why are the spies after her? Oh, and there’s one more question . . . just a pesky, minor thing. Why does Merrick have to be so damn sexy and protective?

EXCERPT:

Maybe he was just doing his job, but Sergeant Merrick was my hero. He coordinated the paramedics, police, ambulance attendants, and an intrepid reporter who came running when three ambulances, an EMT truck from the fire department and half a dozen police cruisers congregated at the hotel. More importantly, at least to me, he calmed Hope and Boone, assuring them that their mother was fine, even if she was sitting with her head between her knees, holding a bloody towel. He got them clear of the chaos and made sure they got safely to their father’s with a police escort.

“I’ll have a uniformed officer stay with them overnight.” he assured.

Once they were away, Merrick signalled the next set of ambulance attendants to help me onto a stretcher.

“We meet again.”

I focussed on the speaker. It took me a moment, but I connected the dots. He checked on us the night before.

“Bob,” he said, in case I forgot.

I nodded. “I remember.”

“It looks like you were wrong,” he said as he helped me onto the stretcher. “Bullet wounds are catching.”

Flashing his badge, Merrick managed to get to us shortly after we arrived at the hospital. He made sure Zeke and I were kept together and stayed with us, even after repeatedly being told by the attending nurses to leave. Then, when we were alone, Merrick asked the big question. “What happened?”

I knew what he was really asking.

“Why didn’t I hide in the bathroom with Hope and Boone? You think I didn’t lock the door properly, but I put the security bar on and everything. I called you as soon as I could. What took you so long?”

I took a dive off the edge of rationality into the deep end of guilt and second-guessing. I burst into tears. I hate it when that happens.

“Give her a break, Sarge,” said Zeke, raising himself up on his good elbow. “She saved my life.”

Merrick, who had taken my outburst calmly, raised an eyebrow.

“Well,” Zeke temporised, “she intended to save my life. She couldn’t know that I had moved out of the line of fire.” He tried to sit up. “I know, I never should have been in his line of fire in the first place . . . probably should stick to the backroom stuff . . .”

In the midst of my sobbing and Zeke’s self-flagellation, Merrick told us to calm down.

Big mistake. That might have worked on Zeke. Don’t know. Wasn’t paying attention. For me, it was like waving a red cape in front of a bull. All my fear and guilt transformed into anger directed at him. I grabbed him by the shirt-front and pulled myself up with the strength that comes with hysteria.

“I’m not a cop. I’m a mother,” I shouted, hopping bare footed onto the cold floor. “I didn’t hide with my children because I figured that whoever it was, they were looking for me. If they found me, they wouldn’t go looking for my kids too. I didn’t know if you’d get there in time to stop Hope and Boone from becoming hostages and I wasn’t going to risk it. I wasn’t going to risk Zeke dying either and I would have done the same for you.”

I spoke in a rush, losing volume and air as I went, losing momentum as I realized the attention I was drawing. Not one of my shining moments.

I started to collapse. I tried to steady myself using my handhold on Merrick’s shirt. He grabbed my shoulders to brace me. He didn’t lose his cool for an instant.

“Call a nurse,” he told Zeke. “She’s bleeding.”

I gave a choke of laughter. There were at least two nurses, an orderly, and three men in uniform ranged behind Merrick.

My vision got blurry. I blinked to clear it, refocused, and noticed that Merrick was wearing red and green plaid pyjamas. I let go of his top and smoothed out the soft material.

“Flannel,” I said, and passed out.

Like what you’ve read so far? You can get your copy of  A Bodyguard to Remember at Lachesis Publishing as well as amazon, Barnes and Noble, kobo, and iBooks.

ABOUT ALISON BRUCE:

Alison Bruce has had many careers and writing has always been one of them. Copywriter, editor and graphic designer since 1992, Alison has also been a comic book store manager, small press publisher, webmaster and arithmetically challenged bookkeeper. In addition to writing, she is the Publication Manager of Crime Writers of Canada and part-time tech guru to the technology-impaired.

Alison writes mysteries, romantic suspense and historical romance. Her protagonists are marked by their strength of character, the ability to adapt (sooner or later) to new situations and to learn from adversity–traits she hopes to pass on to her children, Kate and Sam.

You can connect with Alison Bruce on her website and on facebook and twitter.

You can get your copy of  A Bodyguard to Remember at Lachesis Publishing FOR ONLY .99 CENTS. THIS WEEK ONLY. You can also purchase your copy at amazon, Barnes and Noble, kobo, and iBooks.

Like our Lachesis Publishing page on facebook. Follow Lachesis Publishing us on twitter.

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This week’s DEAL OF THE WEEK at Lachesis Publishing  The Accidental Witch by Jessica Penot (paranormal with romantic elements). It’s funny, scary, clever, and features a heroine that you will just love to bits.

CLICK HERE TO PURCHASE!

or get it on amazon.

What it’s about:

Phaedra Michaels is a small town psychologist who is beginning to lose hope. Two of her patients at the local hospital in Dismal, Alabama have just killed themselves, she’s still reeling from her divorce and what turned out to be a disastrous marriage, and her father has died, leaving her without any notion of who her real mother is.

Just as Phaedra decides to commit herself to a serious drinking problem and an eating disorder, or two, a mysterious spell book arrives in the mail. Feeling desperate, Phaedra uses it to cast spells to save her fading patients. Suddenly, good things start happening.  Phaedra’s patients begin to get better and she even starts dating the sexy doctor from the hospital.

Phaedra is so happy she doesn’t notice the small things that start to go wrong in Dismal, or the dark creatures slithering out of the shadows near her house. When Phaedra finally realizes her spells have attracted every card-carrying demon from hell, she has no choice but to accept help from a slightly nerdy, 500 year-old warlock with a penchant for wearing super hero T-shirts and a knack for getting under Phaedra’s skin. Now, if only she could get the hang of this witch thing, she might be able to save her town.

EXCERPT:

I carefully pulled the twine and the brown paper fell off. Beneath the paper was a large, leather bound book. It looked like an old journal or recipe book. It was tied together with a red ribbon and the ribbon held numerous pieces of paper. I ran my hands over the smooth leather and read the title of the book. It simply said Spells.

I laughed and pulled the red ribbon that held the book together. The book fell open. Inside, it was like a recipe book a mother would pass on to a daughter. There were old typed pages with handwritten notes in the margins. There were pages added with handwritten spells on them and drawings.

“What the hell?” I said as I leafed through the old book. There were potions and summoning spells and candle spells. In-between pages, there were pressed flowers and herbs and some of the pages were stained with old candle wax.

I set the book down and went into the kitchen and opened the fridge. At least the kitchen was done. It looked like any other modern kitchen. It had granite counter tops and marble floors. I’d spared no expense making it look like something that belonged in an old southern mansion. I wanted the house to be perfect and I had Johnny Boy’s money to help me achieve that dream. The lights flickered when I entered. I would have to talk to Lawson about that in the morning. I took a beer out of the fridge and opened it. I had a sip and grabbed a roll of cookie dough. Armed with the cookie dough and beer, I returned to the book. It had fallen off the counter, to the floor, and was opened to a page. I laughed again. The page it had opened to was love spells. That was just what I needed.

I sat down and ate and drank and leafed through the book. I stopped at a page with an interesting picture on it. The spell was an awakening spell. It awakened you to the supernatural world. I hesitated and looked at the script around it.

Something fell upstairs and the lights went out. I fumbled around and found the nearest flashlight and switched it on just as the lights flickered back on.

“Lawson, you asshole,” I said as I turned the flashlight off. “The wiring is done in the parlor, my ass.”

A sudden wave of fatigue washed over me and I picked up my mess and carted my sorry butt upstairs. I climbed into bed with my flashlight. I still had the book of spells. It had been so long since someone had given me something that I had forgotten what it felt like. I knew the book was more than weird. It bordered on creepy. A normal woman would probably burn the damn thing, but I wasn’t a normal woman. I was a lonely divorcée living in a house known to be haunted, but I loved it the way most people love their pets. I was the daughter of a man who had made it clear that he loathed me, with a step-mother who’d bought me toilet paper for Christmas. The creepy book was wonderful to me. It meant that someone out there, even if they were a freak, cared about me, and freak love was better than no love at all.

Did you like what you read? You can get The Accidental Witch at Lachesis Publishing for only .99 cents. THIS WEEK ONLY!

Connect with Jessica online on her web site and on facebook and twitter.

Like our Lachesis Publishing page on facebook. Follow Lachesis Publishing on twitter.